yego.me
💡 Stop wasting time. Read Youtube instead of watch. Download Chrome Extension

Exploring Rodeo, Masculinity Through Photography | National Geographic


2m read
·Nov 11, 2024

(Western music) (cow mooing) - I'm a contributing photographer to National Geographic Magazine. I relentlessly want to understand things, and particularly things that are not part of my sort of orbit of perception. (twangy Western music) (shouting) I'm in Texas with the Hughes family, seeing what life is like here. I'm interested in how boys learn to become men in different parts of the world. Certainly, a critical element of historic notions of masculinity has been overcoming fear.

I have no idea how I'm going to take the pictures of the bull riding. I have no idea. This story has an aspect of it that is pretty unfamiliar to me, which is kind of like sports photography. I don't use long lenses. I don't know how exactly I'm going to handle this thing that happens, like, very quickly. (shouting) I don't think I got it. I don't know, I thought all the elements, you know, the halogen light, the wide open awkward space, I thought it'd all be magic. Sheesh.

Always, I've really strived to explore larger subjects through individual stories. So rodeo is a way in to something else. A way in to looking at Rig, and Rowdy, and Ridge Hughes and what their lives are like. How are these boys growing up? It's a very different kind of experience than I had growing up. And that, I think, in a lot of ways, is what propels me to be as curious as I am about these things. I want to understand things outside of the world that shaped and informed my outlooks.

(galloping hoofbeats) The actual act of photography, I think, is fairly intuitive. The pictures that I feel end up resonating the best are pictures that were made in situations where it's like I'm barely conscious of what's happening. (chattering) Photos are imbued with a lot, and they're shaped and determined by where the photographer stands and the moment that the photographer chooses. And that's a lot of responsibility, because as a photographer, you choose, bam!

(Western music) - [Mrs. Hughes] Good job baby, good job. - [Pete] I think the image that a lot of people have in their mind of ranch life in this part of Texas is hats and horses. But Kelly and Flint, I think, are presenting their sons with a pretty dynamic set of learning experiences as boys and young men.

More Articles

View All
How To Go From Startup Dream To Reality
There’s a moment in a Founder’s brain when you know your startup is gonna die. You see the future, but the future is looking like darkness. In the movie Encanto, there’s a magical character named Bruno who can tell the future, but it’s always bad news. W…
Hear/here and accept/except | Frequently confused words | Usage | Grammar
Hello grammarians! Today, we’re going to talk about two sets of frequently confused words: hear and here, and accept versus except. These words are pronounced very similarly to one another, but they have very different meanings. So, what I’m going to try…
Honest Q&A About My Relationship, Smoking, Marriage, and More
Hello, hello! Let’s do a little Q&A. I basically collected some questions on my Instagram story. If you’re not following me on Instagram, what are you doing? Okay, I promise I’m going to be more active. Okay, I say this like every single month, and th…
Philosophy On Falling In Love
…bring suffering. If it’s merely a passing attachment, it can lead to more pain than joy.” He emphasizes that true love is unconditional and does not depend on the other person meeting our desires. Instead, it’s about caring deeply for another’s well-bein…
Modeling with multiple variables: Taco stand | Modeling | Algebra 2 | Khan Academy
We’re told a certain taco stand sells t tacos per day for a net profit of 300. Each taco costs c dollars to make and is sold for p dollars. Write an equation that relates t, c, and p, so pause this video and see if you can do that. All right, now let’s w…
Separate Boys From Men | Wicked Tuna: Outer Banks
It’s untie and get out of here. Oh yeah, slow right down, Tyler. You’re gonna snap your welds right off. Yeah, getting everything ready now. We’re not done. Yeah, our green stick is so tall we have to lower it to get underneath the bridge, but now we’r…