yego.me
💡 Stop wasting time. Read Youtube instead of watch. Download Chrome Extension

John Maeda: The New Tao of Leadership


2m read
·Nov 4, 2024

I think that becoming the leader of a college, and not just any college, a college that has had a 130 plus year history, great tradition, great classicism, great eclecticism as well, has been a great challenge for me.

Because I've learned that a leader has both frames. A leader has to have the traditional frame and is sometimes afforded the creative frame. Those times to be creative, though, are limited.

It's why if you go to CreativeLeadership.com, I have a whole chart of traditional leader versus creative leader because they're two different leaders. One leader leads by authority and position. The other leads by inspiration and creativity.

One leader says they have all the answers. One leader says, "I might have all the answers." One leader says, "Yes or no." The other leader says, "Maybe." One leader says, "I know I'm right." The other leader says, "I hope I'm right."

So those two leaders exist, I think, in everyone. I, as a person, was born on the creative front, and so I've had to learn how to be more authoritative as a leader. I've had to learn how to balance the two frames, and that's been a great challenge.

Most creative people tend to not want to lead because leading means—I mean, creative people are always against the man, and when they become the man, it's quite awkward. People who are authoritative have difficulty leading creative people because creative people are kind of divergent.

They aren't good soldiers. They diverge. They wander too much. So that rift is interesting from the follower's side, from the leader's side. For those who are leading creatives and feel uncomfortable with that, I think that the challenge is to be open, which is not normal for a formal leader to be open to risk.

How does that leader take that path? That leader should really take off their suit, maybe, and kind of like try to be with the people, risk that because if they don't take the risk, they will not see a reflexive outcome.

If you're a creative person who is unsure of how to lead authoritatively, doesn't want to be the man, I would say, gender aside, they should woman up. They should man up. They have to realize their position.

It's not pleasant, but over time you realize it has to happen. It's necessary. Can you be two people at one time? Of course, I can be a father. I can be a programmer. I can be a painter.

We can do all these things. So letting yourself be both, I think, is an important frame.

More Articles

View All
Beauty Through the Microscope: Bugs Like You’ve Never Seen Them Before | Short Film Showcase
[Music] When I first started the project, I started it at home. First specimens of photographs my boy caught for me in the garden. The macro photography suited my work and lifestyle at the time. My commercial work is portrait photography, essentially, but…
Why Is Your BOTTOM in the MIDDLE?
Hey, Vsauce. Michael here. A human, running like a quadruped, is creepy. Artist Rui Martins created this animation about a year ago. 127 years ago, Eadweard Muybridge shot these real images of a child with infantile paralysis walking on all fours. Walking…
Linear approximation of a rational function | Derivative rules | AP Calculus AB | Khan Academy
So there are situations where you have some type of a function. This is clearly a non-linear function. f of x is equal to 1 over x minus 1. This is its graph, or at least part of its graph, right over here. But where you want to approximate it with a line…
Three ways to end a sentence | Punctuation | Khan Academy
Hello Garans and hello Paige, hi David. So today we’re going to talk about the three different ways to end a sentence. This is what we call a terminal punctuation of English. Um, Paige, what are those three ways? So the first is a period, okay? And then,…
Is A 2-Sided Polygon Possible?
65, 4, 3, 2, 1. Why don’t we ever learn about dgon and monogon? Well, it’s because they’re impossible, right? No real eyes realize that you and I walk around on Dion and monagons every day. But big flat tells us that two straight lines can only meet at no…
Edgar the Exploiter
Simon’s new at the factory. If you ask him, he’ll tell you it’s a lousy job. He has to sweep up and carry things around. He only earns three dollars an hour. Even so, Simon prefers working here to the alternatives he sees for himself right now. Although …