yego.me
💡 Stop wasting time. Read Youtube instead of watch. Download Chrome Extension

Different mediums and the tone of the text | Reading | Khan Academy


4m read
·Nov 10, 2024

Hello readers. I would like to show you one of my favorite things I ever wrote. It's this splash page from a comic I wrote some years ago, illustrated by my friend Core Biladu. You'll notice it has almost no words in it, at least in this form.

Now, let me show you the script.

Pages three and four.

Panel one: A double page spread. The whole greenhouse revealed in widescreen. It's glorious. Wisps of steam curl up from bubbling patches of pool. Green kelpy tendrils twine up the sides of the building. Everything is diffused with a delicate green glow absent the grow lights. Some of the algae fluoresce in a range of cool spectrum colors, but primarily greens. Eugene is dwarfed by its almost cosmic magnificence.

Caption: I can't describe it.

None of that language, except for the caption, shows up in the final layout. All of that was me, the writer, giving art direction to Core, the illustrator. Then they translated that language into their own version. I think it's a pretty faithful translation. My words are translated through Core's design sensibilities and turned into artwork.

When you translate a written work into a different medium, whether it's illustrated, animated, recorded, or performed live, it changes. It becomes a fundamentally different object. As readers, it's a valuable skill to explore how a text changes as it shifts from one medium to another. And when I say medium, I mean a style of work, like a stage play, a film, a graphic novel, an audio drama, any of that.

Good readers analyze those changes and use them to understand decisions that creators make. If you're watching Romeo and Juliet and the director has made the decision to dress everyone in towering robot suits—a detail that is definitely not in the play as written—what does that decision tell you? What does it mean to you?

Maybe you have had the experience of reading a book series that was important to you, and then they made it into a movie. You were so excited to see the movie and you sat down to see it, and it was awful. Like they cast the wrong actors and they simplified the plot until it made no sense, and it just didn't feel right. That feeling is an example of this tension, this change between a written material and its visual adaptation. Sometimes it can be bad; sometimes it can be good.

Some readers can imagine what characters in books look or sound like, hearing them in their mind's ear, seeing them in their mind's eye. The way your imagination renders a character is going to be different from how someone else's imagination does it.

So, let's compare the script for this audio drama we've got on Khan Academy, "Hands off My Phone," and let's compare that against the recorded version.

So first, I'm going to put up the script and I'd like you to pause the video and just read it to yourself very quickly.

And now let's take a listen to the recorded version.

[Music]

[Applause]

"Oh no, he didn't! That is so harsh!"

"Right? Your dad took your phone away just for getting a D on the history test?"

"Yep! My mind is blown!"

"Mine too! I mean that was an easy test! What? I can't believe you got a D!"

"Hey, that's not really—"

"And your dad is the school principal and he took your phone away! Whoa!"

"You know this isn't really helping!"

"Your life is so bleak right now!"

So, you can read that script and think, "Oh hey, Sebastian is being earnestly sympathetic; like he really recognizes that his friend is hurting." But when you hear that performance, the way I interpreted this line is that Sebastian is low-key roasting Valentina.

He's not saying, "Your life is so bleak!" in a kind way; he's rubbing salt into the wounds and being a dingus about it. There's also other stuff that's not explicitly in the script, like that opening musical sting and the ringing of the bell, or those background school noises. All of that is meant to represent the fact that you're listening to a fictional show that takes place in a school setting.

Does it work? That's for you to decide.

When you watch or listen to a performance or recording, or when you look at illustrations, ask yourself some questions. For an audio piece, how do the sound effects, the acting decisions, and the music impact the story or affect the meaning of the words the characters say? How does the way that an actor delivers a line change its emphasis? Was someone being sarcastic or sincere in a way you didn't expect?

For example, for an illustrated story, how do those illustrations help you understand the author's tone? Do you agree with those choices? Is the author's interpretation of the story the same as yours?

For a TV show, movie, or play, in addition to all the decisions made by actors about how to use their voices, shape their faces, or hold their bodies, how does the set tell the story? How do costumes tell the story? How does lighting or special effects impact the tone?

For TV and film, how does the camera impact the way the story is told? The way a piece of film text is edited—its cuts, its angles, its rhythms—can help shape the way you, as a viewer, as a reader of visual text, understand it.

And if you can learn that, then you can learn anything.

Dave it out.

More Articles

View All
Mastering Self Control | Stoic Exercises For Inner Peace
The Stoics bring forth the theme of self-control on a regular basis. Epictetus, for example, spoke about abstaining from talking about vulgar things, and Marcus Aurelius points out that we should set limits to comfort and consumption. In this video, I’ll …
The reason why you can't focus: How to fix your concentration scientifically
Are you constantly feeling overwhelmed, unable to focus on work or studying, and finding yourself getting lost in the world of social media? But what if I told you that the key to improving your focus could be right in front of you — your room? In this …
Ray Dalio’s BIG Warning of a Lost Decade for Investors (2022-2032)
Nowadays the structure of the markets and where everything is priced, um, if um and done the normal way, we’ll give you probably a return in the vicinity of, with a lot of risk around it, uh, maybe in the vicinity of four percent. Okay, three, three and t…
Orwell - Don’t Let Them Control Your Thoughts
In /1984/, George Orwell wrote, “the two aims of the Party are to conquer the whole surface of the earth and to extinguish once and for all the possibility of independent thought.” In the novel, the authoritarian party is interested in having absolute pow…
Single replacement reactions | Chemistry | Khan Academy
If you put a copper wire in this silver nitrate solution, then you’ll get this beautiful reaction. But instead of copper, if you were to put a wire of gold in the same silver nitrate solution, the same solution as before, this time nothing would happen—no…
Campaign finance | Political participation | US government and civics | Khan Academy
Let’s talk a little bit about money in elections in the United States and the various actors that might be involved. You, of course, at the center of the action, have the various campaigns for the candidates. Then you have the party committees that will t…