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Big Tech is Destroying Ownership


9m read
·Nov 4, 2024

Do you own the music that you listen to? If you collect vinyl records or just happen to still have CDs laying around, then you do. But the majority of us in 2023 rely on subscription services like Spotify or Apple Music to borrow the music we enjoy.

What about the movies you watch? Well, thanks to the access we have through streaming services like Netflix, Hulu, and Amazon Prime, very few of us feel the need to own DVDs or VHS tapes anymore and have instead become borrowers of the movies we watch as well. You think these are just subscription models? But what about the games you buy from Steam, the PlayStation Store, or Xbox Store? Do you own those games, or do you just own access to those games?

If you own it, shouldn't you be able to resell, lease, or even borrow it to someone else? These are just a few examples of how big tech has created a business model that almost entirely erased personal ownership, and entertainment is just the beginning.

In 2016, a member of the Global Future Councils wrote this: "Welcome to 2030. I owe nothing, have no privacy, and life has never been better." This satirical article talks about something called the sharing economy and how society is moving towards the point where only a few people own everything and the rest of us simply borrow to live in it. Ida Alkan proposes that as digitalization and subscription services continue to grow, people will own fewer personal possessions and instead become more accustomed to renting from and sharing with others.

Essentially trading in ownership for convenience. In the future, people will rent my living room for meetings while I go to work, she writes. The invention of a ride-share service like Uber, Lyft, and Zipcar has made it easier than ever to not own a car. As a result, it's becoming increasingly more common for people to rely on the flexibility and convenience of these services rather than taking on the responsibility of becoming a vehicle owner themselves.

For those who do go ahead to purchase their own vehicle, we've started to see car companies turn features that are supposed to come with a vehicle into subscription services. BMW recently received a lot of backlash when they quietly announced that they'll be blocking off features such as heated seats, heated steering wheels, automatic high beams, and adaptive cruise control, charging car owners a monthly fee to access features that should come with the car.

Microtransactions like these are greedy and exploitative and keep the consumers tied to the companies even after a supposed transfer of ownership of a property. If I own the car, why do I still have to pay for some of its features—features that should ideally come included with my purchase? Sadly, this is just the beginning of a slippery slope that will continue to chip away at the value of ownership.

One of the main reasons why most of us don't see the immediate problem with the sharing economy is that sadly, we just don't have enough money to outrightly buy everything we need or even invest in our future. Thankfully, today's sponsor Masterworks is helping to solve the latter issue. Masterworks is an award-winning fintech startup in New York City that allows investors with smaller capital to invest in shares of contemporary art from legends like Picasso, Paskout, and Banksy.

This way, you can invest in art by just spending thousands of dollars instead of millions. Why should you invest in art? Over the past 26 years, art has outpaced the S&P 500 by a stunning 131%. And over the past 12 months, while most markets were plummeting, Masterworks saw returns of 9%, 10%, 13%, 17%, 21%, 27%, 33%, 35%, and 36%, returning tens of millions of dollars of profit to investors, which has since caught the eye of major news outlets like CNN, The Wall Street Journal, and The New York Times.

Over 617,000 people have signed up so far, and with demand so high, art can sell out within minutes. But Aperture subscribers can claim a free, no-obligation account right now by simply clicking on the link in the description below. You'll not only be investing in your future, but you'll also be helping Aperture at the same time.

Some of you may be surprised to hear that we own fewer things now than we did decades ago. I know it sounds contradictory when news articles, TV shows, and YouTube videos tell us that we are at the pinnacle of a consumerism crisis. However, there has been some emerging research which suggests that actually, the peak of consumerism may have already passed.

The Office of National Statistics ran a test in 2013 which showed that the average adult in the U.S. owned 10.3 tons of personal possessions, a number which had dropped pretty significantly compared to the average 15.1 that was measured in 2001. But what exactly is so dangerous about living in a world that is slowly moving away from personal ownership and towards a sharing economy?

Being an owner of a possession, whether it be something as large as a piece of property or as small as a DVD, provides us with a sense of personal and financial autonomy. Purchasing a home, for instance, is an investment, meaning that the money you pay towards the down payment and the mortgage of that home has the potential to come back to you in the future if you decide you want to sell the property.

Even if you own a home that you have no intention of selling, the fact that it's yours still provides you with a personal sense of freedom, security, and sovereignty. Just knowing that if you run into any financial emergency, you can sell your house to solve that crisis gives you peace of mind.

This example is most obvious when we talk about buying a home, but it extends all the way down to the ownership of every single material possession. The beauty of owning something, whether it's a property or a stainless steel pan, is that you can trade or sell it to recoup the money that it is worth.

Looking back at the pieces of media we talked about in the beginning, when you bought a vinyl record, you could share it with a friend or sell it after you're done listening to it. Today, you can't even listen to your music without using a specific company's app or buying a game from the PlayStation Store and selling it to your friend once you're done playing.

Right now, it might seem like trivial things, but imagine the world Ida Alkan paints in her article, where the average person doesn't even own their everyday household appliances because of how easy and accessible it is to rent and share them. If that futuristic world were to become our reality, wouldn't we all be a lot less in control of ourselves and the environment we live in? Wouldn't we all be simply floating through life, renting and borrowing things to get by? It's a scary thing to think about.

Another concern that comes with the sharing economy, subscription services, and digitalization is the loss of personal privacy. Think about it: streaming services such as Netflix and Spotify have all your data. To use these platforms, you kind of have to grant them the permission to learn everything about you, from your favorite kind of music to the movies you watch in the middle of the night when you're alone.

Most of us are aware of these algorithms but hardly ever consider them to be a compromise to our privacy because they're used in a way that helps make our experience on the platforms more enjoyable. But that's not all—the data is being used for more than that. Our information is constantly being sold to advertising companies to handcraft and deliver targeted ads to us, causing us to spend money we don't have on stuff we don't need.

Furthermore, because you have provided these services with your name, phone number, email, home address, and credit card number, they have an enormous amount of access to your personal and financial information. With all that data being stored and tracked, it's no wonder that digital hacking is at an all-time high right now. The cost of being hacked rose nearly 15% in 2020, the highest year-over-year increase in IBM's dataset history.

This increase was partly due to hackers and cyber gangs capitalizing on the chaos of the pandemic, but part of the reason why they were so successful was also due to how much personal data is readily available on the internet and how much of our personal information we give out to these big tech companies. At some point, we need to ask ourselves: should we really be paying for comfort and ease of use with our privacy?

The biggest defense for subscription models is that they help us save on costs. You would have had to pay around ten dollars for one album. For the same price every month, you could have almost every song in existence. Yes, we can't deny the fact that subscription models give us access to way more things at a reduced cost, but the reality, as with most things, isn't that straightforward.

Because these subscriptions are automatic, over time, costs can sneakily add up without the consumer being fully aware of how much they're actually spending. Let's use Netflix as an example. When you first sign up for Netflix, you're mystified by the possibility of having unlimited access to approximately 50,000 shows and movies for only $15 a month—a fee that adds up to $179 a year. However, in reality, no singular person will ever likely have the time or ability to watch all 50,000 of those movies and shows.

Let's say instead, during that first year being a Netflix subscriber, you end up watching 50 movies and shows. Although many would argue that paying $179 to enjoy 50 pieces of entertainment is still a great deal—considering the cost of buying the physical copies of those 50 movies would have been far greater—there's still an underlying flaw in that equation. If you owned physical copies of those 50 movies or shows, for the one-time fees you paid to buy them, you would have unlimited access to them for the rest of your life.

Whereas within the confines of the subscription model, the second you stop paying the recurring monthly fee, your access is cut off completely. So in reality, the cost isn't $179 a year but $179 a year for the rest of your life, including every single price increase because, again, you're locked into that one company if they're the only ones who have the movie or show you want to enjoy.

There are also several situations where a person has the desire to watch just one specific show or movie, but the only way they can do so is to sign up for an entire streaming service, meaning that they'll pay roughly the same price to borrow that piece of entertainment as they could have to just own it outright and have unlimited access to it forever. And that is if they managed to sign up for and then cancel that subscription within the first month of their membership.

It's been statistically proven that people chronically underestimate how much they're paying for streaming and subscription services. A survey commissioned by market research firm C+R Research eliminated that 54% of people underestimated the amount that they spend monthly on subscriptions by at least $100, and 24% underestimated it by over $200. On average, consumers spend $133 a month and about $1,600 a year more than they estimated that they did on streaming services.

All of this goes to show that subscription fees can become a slippery slope for people, as they recur passively, which allows them to easily fly under a customer's radar and build up over time. This problem of ownership is not only caused by subscription services; the rise of digital assets as opposed to physical ones is also reducing what it means to own something.

The best example of this is software. When you buy software, what you're buying is digital access to it. This is why you can buy something but you still don't have the right to resell or even lend it to someone else. The danger with this is that we leave all the control in the hands of the companies. If you buy something and you decide it wasn't right for you, your only option is to hold out hope that the company you got it from has a return policy. If not, you'll be stuck with something that you can't get rid of and money you can't regain.

Furthermore, streaming services and online websites that sell pieces of intellectual property, such as movies or video games, to consumers always have the option to discontinue their ownership of that property, thus making the consumer's ownership of it obsolete as well. Imagine paying Netflix's subscription for years just to watch your favorite comfort show, and then one day they just announce that they'll be removing it from the platform and you can do nothing about it.

For most of us, this isn't something we have to imagine; it's something that has happened time and time again. And this is the final and most painful thing about the digitization of everything. If these things only exist in digital form, when licenses expire or these companies simply don't see the need to host the content on their platforms anymore, they'll be gone forever—lost forever.

If big tech completely destroys ownership and all we have is borrowed and all we own is digital, what would be in the museums of the future?

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