yego.me
💡 Stop wasting time. Read Youtube instead of watch. Download Chrome Extension

Casey Neistat and Matt Hackett on Live Video's Struggle for Interestingness


3m read
·Nov 3, 2024

Processing might take a few minutes. Refresh later.

I mean, didn't Google just announce last week some clip-on camera that captures what's in front of you? In typical Google form, they pitched it though. It's like this is the center of our AI learning platform about the world, which is the same marketing mistake they made with everyone wanting a face computer. Now everyone is computer. Everyone does not want an AR learning camera clipped to their chest. But they probably do actually want a camera.

Mmm, I think from really a creative perspective, I think that the struggle for interestingness—that's a line that we see—is allowing. We were pitching, but like solving the struggle for interestingness from a video perspective is paramount to having anything succeed. I think what Snapchat did that was so amazing, beyond the story mechanism being so fascinating, was that I dismissed lenses as kind of a gimmick when it first came out. But what lenses did was it solved the struggle for interestingness from both the creator's perspective and the viewer's perspective.

Here, put dog ears on. That's amore, that's interesting, that's fun. I think the trouble that we're seeing—certainly we saw at Beam— is that they're seeing with spectacles, and that I think every single live platform, none of which have truly succeeded yet, is because they don't address that struggle for interestingness. I think that the reason why video games have succeeded in the live space is because they do. Here’s something that we all understand—it's a game—and I get to see your face playing it. That’s dealing with the struggle for interestingness.

But I think broadly live is too wide open. There is no box there. I think what we were trying to do with Beam—like one of the things we talked about—should be a four-second clip or a six-second clip. So if you string a bunch of them together, it needs to feel fun, like you're watching an edited movie. We were wrong; it got boring quickly. Watching people's raw lives got boring quickly.

So how are you going to deal with that in the future if you're handling multiple feeds from all over the world? With the product, we learned a lot with Beam V1 that we imported to a much, much smaller problem set, which is what we're dealing with in panels—the product that's out now.

Panels is just purely about opinion. It's what is your opinion on these five stories today, these things happening in the world? We wanted to be this place where you get to actually see the full spectrum of perspectives on an issue that might be controversial. That might be, you know, what do you think about the Republican healthcare proposal?

To actually see you at a civil debate in video looks like on that. The reason we made it more interesting is it's just really contained. So I think we took a lot of the little product cues about how to set some up—in context both to create and consume—in which they're gonna be articulate and pointed and fast.

Let me do that some priming, and there are just some ways that we actually try and guide you towards creating something that's really compelling. But the domain is much, much smaller. We're not trying to make this. That's not the platform for everything you could possibly take a video of in the world. It is what do you think about this story?

Yeah, it's, it's, if you had so many cameras, I'd say something interesting there. You have no idea what to say. If you hand someone a camera and say, you know, what do you think about the latest healthcare proposal? They might know probably something to say, and that something will be tied to a specific narrative. So, that is an attempt at addressing that struggle for interestingness.

Right, I mean, it's tricky because it seems that the internet deviates towards like kind of a [ __ ] show most of the time. People aren't—you've turned off YouTube comments. I see that you still have them, but I'm mature enough. YouTube comments—yeah, better. You still get views? Yeah, not as many as you. Yeah, you'll get an island in the algorithm for that. They punish you severely for that. Oh really...?

More Articles

View All
The Beauty of What We Just Don't Know (A Philosophy of Trust)
There’s this human tendency to find explanations for the things that we don’t understand. This tendency has been the birthplace of folklore and creation stories that are cornerstones of many religions. Imagine living in the tribal age, gazing at the stars…
Becoming a Millionaire: Roth IRA vs 401K (What makes the MOST PROFIT)
What’s up, guys? It’s Graham here. So, here’s a question that’s been coming up a lot recently, and this is a very confusing question for most people. That is this: What is better to invest in, a Roth IRA or traditional 401k? Now, this is actually a some…
Le Chȃtelier’s principle: Changing volume | Equilibrium | AP Chemistry | Khan Academy
The Chatelier’s principle says that if a stress is applied to a reaction mixture at equilibrium, the net reaction goes in the direction that relieves the stress. One possible stress that we could do is to change the volume on a reaction at equilibrium. L…
Peopling the Americas
Hey Becca. Hey Kim. All right, so we’re talking about how people got to the Americas today. So when did people first arrive in North America? Was Columbus the first one? So no, he was not. You know, back in the day, people believed that actually, pre-Col…
Why MrBeast Philanthropy Will Never Save The World
Mr Beast has cured a thousand people of blindness, built a hundred homes for low-income families across the American continent, removed 33 million pounds of trash from the ocean, planted 20 million trees, and done much, much more. He might seem like a rea…
2015 AP Physics 1 free response 3a
A block is initially at position x equals zero and in contact with an uncompressed spring of negligible mass. The block is pushed back along a frictionless surface from position x equals zero to x equals negative d, as shown above, compressing the spring …